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June 2010 Archive

07 June 2010

Fibre Identification and Burn Tests

If the yarn is solely of one category (cellulosic, synthetic or protein), then a burn test, if correctly done, can easily reveal which category it is in. This means that silk, polyester and rayon, though all can be lustrous and can have long fibres, burn in a completely different manner.

  1. Protein (animal fibres such as wool, silk, alpaca, mohair): When approaching the flame, they tend to shrink away and are hard to light.

    When in the flame, they are hard to ignite, look like they're melting or bubbling up, and tend to self-extinguish.

    Upon removal from flame, the odour of the smoke is like burned hair and the ash is a crushable/crumbly dull black ash, often in a ball.

  2. Cellulosic (plant fibres such as cotton, linen, ramie and viscose rayon which is a man-made fibre made from regenerated cellulose such as cotton linters and wood)

    When approaching the flame, they ignite easily.

    When in the flame, they burn clearly and you can often continue to see the yarn structure, such as plies, etc, all the way through to the ash

    Upon removal from flame - blow gently to extinguish and try not to blow away the ash

    They will glow and then go out

    The odour is of burning paper (also cellulose)

    The ash will be soft and grey and easily powders away - you can often still see the yarn structure in the ash

  3. Synthetics (plastic-based such as polyester, nylon, olefin)

    These all burn somewhat differently - some just fuse together, some burn wildly, melt quickly and drip hot molten plastic. The smell can also vary from celery-like to very acrid.

    The common characteristic is that the ash, when cooled, is usually hard - sometimes it is black, sometimes light coloured.

    **Watch out - if there is any chance you are burning a synthetic, be careful to hold it out over a non-flammable surface (aluminium foil works well) and be ready to drop it if it starts to burn rapidly or molten and very hot plastic begins to drip - you can burn your hand or ruin or ignite whatever it drips onto. Better yet, hold it with tweezers!

General notes and disclaimers to the above:

  • Yarns will act differently according to the amount of twist, eg a tightly twisted yarn will not ignite as quickly as a loosely twisted one
  • Yarns with fibres or mixed categories , eg a blend of cellulose and synthetic (such as a cotton/polyester) will give mixed results. You will then need to carefully observe all the different steps in a burn test - not just the ash - to play detective and try to guess what it is composed of
  • If you get "mixed" results as above, try burning individual plies separately, or also any nubs or slubs separately.

A fail-proof test for protein fibres, learned from a wool council, is to put a small sample in straight chlorine bleach. If it's protein - and silk is - it will completely "disappear" in a relatively short time. Some have taken only five or ten minutes, others have taken as long as an hour or two.

A caveat or two: be careful handling the bleach, of course, and realize that if you leave the sample in bleach for days and days, cellulose will also disintegrate.

And the difference between rayon and cotton is that rayon is weaker when it is wet and cotton is stronger when wet. So wet the middle of a thread with some spittle or water and pull the thread with both hands until it breaks. In case of rayon it will break at the wet spot, cotton will break on a dry place.

Somewhere in My World

The 2010 International Freeform Fiberarts Guild show, Somewhere in My World, includes 61 freeform fibre artists from all around the globe including Guild librarian Brigitte Sieber.

The artists were given the choice of creating one freeform piece interpreting the theme any way they chose using any materials and any techniques. They were not restricted to scrumbles and many of the pieces are wearable art and sculptural as well. None of the artists saw each other's pieces until the online show was published.

Fibre Alchemists

The Fibre Alchemists group recently became a Network Group of our Guild. They got together in 2007 and currently have 10 members. Most of them met through ATASDA but belonged to various guilds with different textile backgrounds (hand & machine stitching, beading, printing, felting, knitting, knotting, spinning, calligraphy, collage.) As individuals they were looking for a group that would stretch them a bit. And although they came from diverse backgrounds and seemed an unlikely combination, the combination has worked.

They started off experimenting with "round robin" projects and by teaching each other the techniques and materials they knew about. After a while They found they needed a new focus. It was time to tackle an exhibition: something none of them had done from scratch before. Their exhibition, Alchemy From the Ordinary Into the Extraordinary was held at the Seaview Gallery, Dulwich Hill in November 2009. They made two to three pieces each, and there were times when they felt pretty stretched by the process, although it turned out well.

Their next project involved a second-hand bridesmaid's dress which they dismantled. Each person got a piece (sleeve, skirt panel or whatever) and each worked on them (without seeing what was happening to the rest of the garment) and then reassembled the dress. It was part of the Ethical Fashion and Interiors exhibition at Craft NSW and later the Waste to Art section of the Warringah Art Prize Exhibition.

Their current project, The Alchemist's Book Club will involve two exhibitions - a smaller initial one in August 2010 at the Kinokuniya book shop, with a larger one to follow. The idea behind the theme is that each person chooses a book/s which is a source of personal inspiration and develops her works from there. The books cover architecture, plant life, politics, colour and music. The works will be equally as diverse.

Where: Kinokuniya book store's gallery, corner George and Park Streets (opposite the QVB)
When: 4-17 August from 10.00am daily

Eurofest

Eurofest is a multicultural festival held each year on Ararat Reserve, Frenchs Forest. This year, September 18 and 19, the festival will feature a special Arts and Crafts pavilion available only to genuine craft workers. It will be a marquee with walls to accommodate artisans to demonstrate their skills as well as to sell their products.

This is an opportunity for you to demonstrate and display a craft which many people may no longer be familiar with, at little risk to yourself. Even if your craft is widely practised, the public is interested in seeing what you create.

There will be no charge for participation in the pavilion but they ask for 20% commission on sales. Each space in the Craft Pavilion is about 2 m wide x 3 m. Tables are available for $10 or you can bring your own. Stall holders will be able to drive their cars onto the reserve to unload their goods, and to have one car parked within the festival grounds.

If you are interested in taking part send your name, phone number, address, email and type of craft, whether you need power or want to hire a table to:

Jenny Wandl, 4 Wichlow Place, Killarney Heights NSW 2087

World Eco-Fibre and Textile (WEFT) Forum

The WEFT Forum was started in September, 1999 at the International Ikat Weaving Forum held in Kuching, Sarawak. Since then, the WEFT Forum has been a biennial event:

September 2001: Basketry and Natural Dye Workshop
September 2003: Hand Painted, Printed & Decorated Textiles
May 2006: Textile Traditions Today
September 2008: Textiles and Fibres - The Untold Stories
September 2010: Nature's colour code - in Basketry and Textiles

Forum objectives are to promote, share and acquire knowledge on the use of natural fibres and dyes. They want to conserve and encourage the use of natural, sustainable materials in the creation of arts and crafts.

WEFT is a network of natural material producers and the craftspeople through the establishment of an information database that may develop into a marketing network eg trade in raw materials, dye stuff etc. They aim to encourage and co- ordinate research and study into the traditional use of natural fibre and dyes in all forms of textile weaving, basketry, mat weaving, plaiting etc and to promote the development of World-Eco Fibre and Textile Art.

The WEFT forum fosters cultural exchange through exhibitions, conferences, international visits by crafts people for the purpose of study, lectures and workshops. This year's forum will bring together international delegates to exchange the latest information gathered through research, work and experiences in the stories, legends, oral history and traditions related to textiles and fibres.

It will be a 3-day forum with 9 main sessions. There will be exhibitions, a bazaar, a gala dinner and fashion show. They expect over 300 delegates (weavers, craft-artisans, scholars, collectors, gallery-owners, officials and NGOs) from over 25 countries. Post Forum tours have been organised to a longhouse at Batang Ai, Mulu National Park and Caves or to a Ngar mordant ceremony of Iban Textiles.

Forum talks will include:

  • Natural Dyes in the Philippines
  • Discovering alpine natural dyes Marketing natural dyes in Europe
  • Native Californian Indian basketry
  • Bhutanese textiles with natural dyes
  • Taiwanese indigo: history and revival
  • Chinese double face natural dyed silks
  • Rare textiles of Orang Baduy, Indonesia
  • Natural dyes for fine art painting of India
  • Textiles in archaeological finds of Sarawak
  • Korean heritage of natural colours in textiles
  • Natural science and belief of lac dye of Thailand
  • Royal Tenun/ Malay Kain songkit in natural dyes
  • Marketing of Iban natural fibre crafts and textiles
  • Reviving Indian traditional embroidery techniques
  • Printed and painted textiles of the Thai Royal Court
  • Tarum, Nila or Tom: story of indigo in Javanese batik

When: 24-26 September 2010
Where: Kuching, Sarawak, Malaysia
Info: edric.ong@gmail.com www.societyatelier.com
Society Atelier Sarawak
Jalan Taman Budaya
93000 Kuching, Sarawak, Malaysia, 60-82-420042

A Head Full of Love

This year the Alice Springs Beanie Festival will celebrate the beanie's ability to ascribe to a head full of love, warmth and joy.

The textile techniques - knitting, crochet, felting, weaving are easy to learn and difficult to master. Amazing levels of technical skill can be developed to make ideas come alive. This is when the ordinary beanie becomes extraordinary.

A Head Full of Love categories:

Natural Fibres Beanie
  • Loveliest Madcap Prize
  • Lovely Layering: use a mix of techniques
  • Love of the Land: the ranges, bush, sea, desert
  • Champion Love: that expresses your Love
  • Loveliest Animal Beanie: animals, birds, reptiles, insects and strange invertebrates all welcome
  • Eileen Bladon Tea Cosy Prize
  • Ashford's prize for best hand felted beanie: wet, needle or knit and felt techniques
  • Central Australian: outstanding work made by a local
  • Festival committee acquisition prize: for wonderful and unusual work
  • Robbie Beard hand spun prize: for a work made with yarn hand spun by the artist
  • New wave beanie encouragement prize: for a school-aged beginner beanie maker
  • New wave beanie prize: for a school-aged advanced beanie maker
  • People's prize: the favourite beanie of 2010
  • Voting to be carried out during the festival.

    Beanies and entries must have been received by Friday, 4 June. Late entries will be returned COD. Winners will be announced at the opening on Friday, 25 June. The winners will be notified by mail and posted on the website http://www.beaniefest.org/

    Where: Gallery One, Araluen Centre, Alice Springs Cultural Precinct, Larapinta Drive, Alice Springs
    When: 7pm Friday, June 25. Open daily until Sunday July 25.
    Enquiries: Jo Nixon for advice, encouragement or swing tags

    2010 Textile Symposium

    Textile artists and enthusiasts are encouraged to participate in this exciting program of textile talks, exhibitions & workshops.

    The main symposium from 10.00am-3.30pm on Saturday, 3 July will include keynote speakers artist Lorraine Connelly-Northey, Sylvia Kleinert, Associate Professor of Australian Indigenous Art, Charles Darwin University, textile artists Rodney Love and Louise Saxton and Cheryl Thornton from the Victorian Tapestry Workshop.

    Workshops run over the following four days include:

    • Indigenous Basket Weaving with Sharon Edwards
    • Miniature Suzanis with Alison Snepp
    • Machine Embroidery Magic with Susan Mathews
    • Crazy Freeform Crochet with Abi Thompson

    Exhibitions on during the symposium include:

    • Six Degrees - Rodney Love
    • Garden of Life - John Coburn
    • Petite - Miniature Textiles
    • Flourish - Embroiderers Guild of Victoria
    • Ensemble - Wangaratta exhibitions Gallery Collection

    Click here to see the full symposium program

    When: 3-7 July
    Where: Wangaratta Performing Arts Centre
    Info: 03 5722 0865, gallery@wangaratta.vic.gov.au

    Hyperbolic Crochet Update

    The Hyperbolic Crochet Coral Reef is a project that resides at the intersection of mathematics, marine biology, handicraft and community art practice. The project responds to the environmental crisis of global warming and the escalating problem of oceanic plastic trash.

    The exhibition closed at the Science Museum, Dublin on 11 June. The Bleached Reef will be included in the National Design Triennial: Why Design Now? in New York.

    Where: Cooper-Hewitt National Design Museum, New York
    When: 14 May to 9 January 2011
    Info: crochetcoralreef.org

    Fibre Craft Camp

    Grafton Fibrecraft Group would like to invite you to come along to a spinning, weaving and fibre craft camp in Grafton. Our first camp last year was a success so we thought we would do it again.

    Workshops will include:

    • Backstrap weaving: Kits available to buy and looms free to have a go. Bring lot of wool colours and plies. Cost $15
    • Knitted Brooch: bring 2-3 mm knitting needles and 4-ply cotton (small charge at workshop)
    • Column stitch wash cloth: bring circular needle or DPN 3.5mm with 8-ply cotton, 2 colours (light and dark)
    • Lace knitting: requirements TBA
    • Twisted Scarf: bring 100gm hand spun or commercial yarn any ply with needles to suit
    • Tunisian Crochet: hook and yarn
    • No Worries Shoulder Wrap: selection of yarn (huge variety), 8 mm needles. (Kits of yarn also available)

    When: 20-22 August
    Enquiries: Lesley or Barbara Roberts

    06 June 2010

    The Invention of the Sewing Machine by Grace Rogers Cooper

    Project Gutenberg has a new book available for free download that may be of interest to Guild members: The Invention of the Sewing Machine by Grace Rogers Cooper.

    First published in 1968 by the United States National Museum. It had no instrument panel with push-button controls. It was not operated electronically or jet-propelled. But to many 19th-century people the sewing machine was probably as awe-inspiring as a space capsule is to their 20th-century descendants. It was expensive, but, considering the work it could do and the time it could save, the cost was more than justified. The sewing machine became the first widely advertised consumer appliance, pioneered instalment buying and patent pooling, and revolutionized the ready-made clothing industry. It also weathered the protests of those who feared the new machine was a threat to their livelihood.

    The Invention of the Sewing Machine by Grace Rogers CooperProject Gutenberg