Thursday was the weekly gathering among the ladies at Hope Foursquare Church in Snohomish, but this is no knitting circle. Nope. This is a crocheting circle, said Sondra Hirsch.
And you won’t find anyone making tea cozies or pot holders. Nor will you find anyone spinning yarns.
They spin something else. It’s plarn, said Hirsch, with a warm smile.
Plarn is short for plastic yarn made out of old grocery bags.
In assembly line fashion, the women cut up the bags and crochet the plarn into soft, waterproof plastic mats for the homeless to sleep on. It is a labor of love, said Marcia LaBossiere.
A labor that lasts two days.
It takes about 50 hours and 600 bags to make one 3 x 6 foot mat, but the ladies are happy to do it.
2015 the year of the Sheep/Goat is an excellent period for all the Chinese zodiac signs.
The element for this year is wood and the lucky colour is green. The sheep is the eighth sign in Chinese astrology and number 8 is considered to be a very lucky number. It symbolises wisdom, fortune and prosperity.
The West Australian Hand Weavers, Spinners and Dyers Guild is sponsoring a scarf exchange. To join the 22nd year of the Scarf Exchange with Year of the sheep/goat as the theme, send 150 grams of fibre and the entry form by March 27, 2015, and you will receive a different package of fibre by the end of April 2015.
To make the article, the fibre may be spun, felted, woven, knitted, dyed, crocheted and/or a combination of crafts.
Closing date for the return of the article to Western Australia will be 28 August 2015. We will return your original fibre in the form of scarf, shawl, beanie, hat and/or bag with the details of the person who made it.
When asked for the location of other spinning and weaving groups and when they meet, Guild members refer to our booklet Other Groups in NSW. We have used the same booklet for many years and it has got out of date. I have tried to get in touch with all the groups listed but not all of them have responded and I don’t know whether that is because they no longer function or because the address is wrong. Quite a few groups who no longer function did respond, with regret, to have their names crossed off our list. And I discovered a few new one by searching the Internet.
This is the list of active groups in NSW that I have collated. If you belong to a group, in addition to the HSW Guild NSW, please run your eye through these names. If your group’s name is not there, let us know so that I can add their meeting place, time of meeting and contact details to our list and to our web site.
Dorothy Caldwell’s talk illustrates how her textile art is an ongoing exploration of a sense of place. Her long time interest in marks humans make on the landscape creating patterns of settlement, agricultural practices and built heritage are translated onto cloth through dyeing, printing and stitching. Her current practice involves collecting earth pigments, plant matter and objects in remote landscapes and incorporating them in her work. This direction enables her to make a deeper connection between her home in Hastings, Ontario and the places where she travels. Dorothy will tell the stories of her fieldwork in the Canadian Arctic, the Australian outback and rural Japan and India. By using materials collected in the field whether far away or close to home, the pieced, layered and stitched surfaces tangibly absorb and reflect her artistic journey.
Beth Hatton last spoke to us in 2008 about her exhibition Baseline, about the remnant grasslands of Lake George. SInce then she has participated in many exhibitions combining new works with pieces exhibited before in a different context.
Beth arrived in Australia in 1976 and soon became concerned with environmental issues. She developed a series of rugs that used kangaroo and wool offcuts to highlight the plight of native animals.
The curator of A Red World, Wangaratta Art Gallery, June-July, 2008, asked for her woven rugs for the show. She showed Extinct & Endangered Species, 2002 with three pelt shapes reflecting the pelts stored in museums of endangered, native animals. It was bought by the Wangaratta gallery. Beth’s rugs have a very fine, red weft and are woven with shaft switching.
Helen MacRichie calls herself a textile artist because she combines lots of different techniques including felting, embroidery, lacemaking, sewing. She has been selling and exhibiting her work for seven years but has been crafting for many years. As a five year old in Scotland, she was obliged to write a daily diary. She soon discovered that a drawing filled lots of space to pad out a little text. Helen always did art at school but listened to her mother who said there was no money in art and continued with science. She earned a PhD in pharmacy and worked in pharmacy research. When her husband moved the family to Switzerland, she stayed at home with the kids because her german was not good enough to continue working. To assuage the boredom of being a hausfrau she undertook the City and Guilds, long distance embroidery design course. When the family moved to Australia in 2004 Helen continued the City and Guilds course which has become the inspiration as well as the method of much of her current practice.
Competition to be conducted at Agricultural Society, Group & State Level. A group of three items are submitted to a local show. The winners at that level are entered in a zone competition at a later show. The winners of the zone competition, are entered to the RAS in Sydney at Easter.
Try something new or upgrade your current skills with the exciting, soon to be announced courses planned for January 2018.
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